专辑介绍:

这部套盒由钢琴家穆里尔·凯曼（Muriel Chemin）演绎贝多芬全部的钢琴奏鸣曲。她的上一张专辑还是在2018年发布的《迪亚贝利变奏曲》，无论是哪一张专辑，她都将这位伟大作曲家的杰作展现的恰到好处。贝多芬在凯曼的人生中一直有着重要的地位，因为在她七岁时，她第一次听到了贝多芬的音乐，从那一刻起她便无法自拔、全神贯注地聆听。她对贝多芬的热爱随着她事业的发展而加深，并在这一套专辑中展现出深刻的诠释。凯曼并不寻求对这些奏鸣曲进行分析性的概述，而是从每首作品自身的特点出发，将其与历史背景联系起来。例如从回溯到巴洛克时期的赋格写作，到诸如 “槌子键琴奏鸣曲”等作品的整合——预示着20世纪的革命性发展。凯曼将她的激情和天赋带到了这些美好的音乐中，让听众对贝多芬的钢琴奏鸣曲有了更深入的了解，因为这些钢琴奏鸣曲描绘了贝多芬非凡的音乐演变轨迹。

艺术家介绍:

穆里尔·凯曼（Muriel Chemin）是一位来自法国的钢琴家。从五岁时就开始在让·玛格丽特·曼努埃尔的指导下学习音乐。她在巴黎师范学校获得了演奏家文凭后，她决定在意大利和日内瓦跟随Maria Tipo并且深入她的学习，并在那里获得了优异的毕业成绩。她在巴黎以及法国的其他城市举办了许多音乐会。同时在世界范围内，她也在意大利、瑞士、奥地利、德国、英国、希腊、土耳其、罗马尼亚、俄罗斯、波兰、智利和美国举办过个人音乐会。她不仅作为独奏家定期演出，还与许多著名指挥家合作，进行钢琴二重奏、室内乐作品和管弦乐队的演出。

曲目列表：

• Sonata No. 1 in F minor, Op. 2, No. 1: I. Allegro
• Sonata No. 1 in F minor, Op. 2, No. 1: II. Adagio
• Sonata No. 1 in F minor, Op. 2, No. 1: III. Menuetto. Allegretto
• Sonata No. 1 in F minor, Op. 2, No. 1: IV. Prestissimo
• Sonata No. 2 in A major, Op. 2, No. 2: I. Allegro vivace
• Sonata No. 2 in A major, Op. 2, No. 2: II. Largo appassionato
• Sonata No. 2 in A major, Op. 2, No. 2: III. Scherzo Allegretto
• Sonata No. 2 in A major, Op. 2, No. 2: IV. Rondo Grazioso
• Sonata No. 3 in C major, Op. 2, No. 3: I. Allegro con brio
• Sonata No. 3 in C major, Op. 2, No. 3: II. Adagio
• Sonata No. 3 in C major, Op. 2, No. 3: III. Scherzo Allegro
• Sonata No. 3 in C major, Op. 2, No. 3: IV. Allegro assai
• Sonata No. 4 in E-flat major, Op. 7 (‘Grand Sonata’): I. Allegro molto e con brio
• Sonata No. 4 in E-flat major, Op. 7 (‘Grand Sonata’): II. Largo con gran espressione
• Sonata No. 4 in E-flat major, Op. 7 (‘Grand Sonata’): III. Allegro
• Sonata No. 4 in E-flat major, Op. 7 (‘Grand Sonata’): IV. Rondo. Poco Allegretto e grazioso
• Sonata No. 5 in C minor, Op. 10, No. 1: I. Allegro molto e con brio
• Sonata No. 5 in C minor, Op. 10, No. 1: II. Adagio molto
• Sonata No. 5 in C minor, Op. 10, No. 1: III. Prestissimo
• Sonata No. 6 in F major, Op. 10, No. 2: I. Allegro
• Sonata No. 6 in F major, Op. 10, No. 2: II. Allegretto
• Sonata No. 6 in F major, Op. 10, No. 2: III. Presto
• Sonata No. 7 in D major, Op. 10, No. 3: I. Presto
• Sonata No. 7 in D major, Op. 10, No. 3: II. Largo e mesto
• Sonata No. 7 in D major, Op. 10, No. 3: III. Menuetto Allegro
• Sonata No. 7 in D major, Op. 10, No. 3: IV. Rondo Allegro
• Sonata No. 8 in C minor, Op. 13, ‘Pathétique’: I. Grave – Allegro di molto e con brio
• Sonata No. 8 in C minor, Op. 13, ‘Pathétique’: II. Adagio cantabile
• Sonata No. 8 in C minor, Op. 13, ‘Pathétique’: III. Rondo. Allegro
• Sonata No. 9 in E major, Op. 14, No. 1: I. Allegro
• Sonata No. 9 in E major, Op. 14, No. 1: II. Allegretto
• Sonata No. 9 in E major, Op. 14, No. 1: III. Rondo Allegro comodo
• Sonata No. 10 in G major, Op. 14, No. 2: I. Allegro
• Sonata No. 10 in G major, Op. 14, No. 2: II. Andante
• Sonata No. 10 in G major, Op. 14, No. 2: III. Scherzo Allegro assai
• Sonata No. 11 in B-fl at major, Op. 22: I. Allegro con brio
• Sonata No. 11 in B-fl at major, Op. 22: II. Adagio con molto espressione
• Sonata No. 11 in B-fl at major, Op. 22: III. Menuetto
• Sonata No. 11 in B-fl at major, Op. 22: IV. Rondo Allegretto
• Sonata No. 12 in A-fl at major, Op. 26: I. Andante con variazioni
• Sonata No. 12 in A-fl at major, Op. 26: II. Scherzo. Allegro molto
• Sonata No. 12 in A-fl at major, Op. 26: III. Marcia funebre sulla morte d’un eroe. Maestoso andante
• Sonata No. 12 in A-fl at major, Op. 26: IV. Allegro
• Sonata ‘quasi una fantasia’ No. 13 in E-flat major, Op. 27, No. 1: I. Andante
• Sonata ‘quasi una fantasia’ No. 13 in E-flat major, Op. 27, No. 1: II. Allegro molto e vivace
• Sonata ‘quasi una fantasia’ No. 13 in E-flat major, Op. 27, No. 1: III. Adagio con espressione
• Sonata ‘quasi una fantasia’ No. 13 in E-flat major, Op. 27, No. 1: IV. Allegro vivace
• Sonata ‘quasi una fantasia’ No. 14 in C-sharp minor, Op. 27, No. 2, ‘Moonlight’: I. Adagio sostenuto
• Sonata ‘quasi una fantasia’ No. 14 in C-sharp minor, Op. 27, No. 2, ‘Moonlight’: II. Allegretto
• Sonata ‘quasi una fantasia’ No. 14 in C-sharp minor, Op. 27, No. 2, ‘Moonlight’: III. Presto agitato
• Sonata No. 15 in D major, Op. 28, ‘Pastoral’: I. Allegro
• Sonata No. 15 in D major, Op. 28, ‘Pastoral’: II. Andante
• Sonata No. 15 in D major, Op. 28, ‘Pastoral’: III. Scherzo Allegro vivace
• Sonata No. 15 in D major, Op. 28, ‘Pastoral’: IV. Rondo Allegro ma non troppo
• Sonata No. 16 in G major, Op. 31, No. 1: I. Allegro vivace
• Sonata No. 16 in G major, Op. 31, No. 1: II. Adagio grazioso
• Sonata No. 16 in G major, Op. 31, No. 1: III. Rondo Allegretto – Presto
• Sonata No. 17 in D minor, Op. 31, No. 2, ‘Tempest’: I. Largo – Allegro
• Sonata No. 17 in D minor, Op. 31, No. 2, ‘Tempest’: II. Adagio
• Sonata No. 17 in D minor, Op. 31, No. 2, ‘Tempest’: III. Allegretto
• Sonata No. 18 in E-flat major, Op. 31, No. 3, ‘The Hunt’: I. Allegro
• Sonata No. 18 in E-flat major, Op. 31, No. 3, ‘The Hunt’: II. Scherzo Allegretto vivace
• Sonata No. 18 in E-flat major, Op. 31, No. 3, ‘The Hunt’: III. Menuetto Moderato e grazioso
• Sonata No. 18 in E-flat major, Op. 31, No. 3, ‘The Hunt’: IV. Presto con fuoco
• Sonata No. 19 in G minor, Op. 49, No. 1: I. Andante
• Sonata No. 19 in G minor, Op. 49, No. 1: II. Rondo Allegro
• Sonata No. 20 in G minor, Op. 49, No. 2: I. Allegro ma non troppo
• Sonata No. 20 in G minor, Op. 49, No. 2: II. Tempo di menuetto
• Sonata No. 21 in C major, Op. 53, ‘Waldstein’: I. Allegro con brio
• Sonata No. 21 in C major, Op. 53, ‘Waldstein’: II. Introduzione Adagio molto (attacca)
• Sonata No. 21 in C major, Op. 53, ‘Waldstein’: III. Rondo Allegretto moderato – Prestissimo
• Sonata No. 22 in F major, Op. 54: I. In tempo d’un menuetto
• Sonata No. 22 in F major, Op. 54: II. Allegretto Piu allegro
• Sonata No. 23 in F minor, Op. 57, ‘Appassionata’: I. Allegro assai
• Sonata No. 23 in F minor, Op. 57, ‘Appassionata’: II. Andante con moto
• Sonata No. 23 in F minor, Op. 57, ‘Appassionata’: III. Allegro ma non troppo – Presto
• Sonata No. 24 in F-sharp major, Op. 78: I. Adagio cantabile – Allegro ma non troppo
• Sonata No. 24 in F-sharp major, Op. 78: II. Allegro vivace
• Sonata No. 25 in G major, Op. 79: I. Presto alla tedesca
• Sonata No. 25 in G major, Op. 79: II. Andante
• Sonata No. 25 in G major, Op. 79: III. Vivace
• Sonata No. 26 in E-flat major, Op. 81a, ‘Les Adieux’: I. Das Lebewohl Adagio – Allegro
• Sonata No. 26 in E-flat major, Op. 81a, ‘Les Adieux’: II. Abwesenheit Andante espressivo
• Sonata No. 26 in E-flat major, Op. 81a, ‘Les Adieux’: III. Das Wiedersehen Vivacissimamente
• Sonata No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
• Sonata No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen
• Sonata No. 28 in A major, Op. 101: I. Etwas lebhaft, und mit der innigsten Empfindung. Allegretto, ma non troppo
• Sonata No. 28 in A major, Op. 101: II. Lebhaft. Marschmassig. Vivace alla marcia
• Sonata No. 28 in A major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
• Sonata No. 28 in A major, Op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
• Sonata No. 29 in B-flat major, Op. 106, ‘Hammerklavier’: I. Allegro
• Sonata No. 29 in B-flat major, Op. 106, ‘Hammerklavier’: II. Scherzo Assai vivace
• Sonata No. 29 in B-flat major, Op. 106, ‘Hammerklavier’: III. Adagio sostenuto
• Sonata No. 29 in B-flat major, Op. 106, ‘Hammerklavier’: IV. Introduzione Largo – Fuga Allegro risoluto
• Sonata No. 30 in E major, Op. 109: I. Vivace ma non troppo. Adagio espressivo
• Sonata No. 30 in E major, Op. 109: II. Prestissimo
• Sonata No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
• Sonata No. 31 in A-flat major, Op. 110: I. Moderato cantabile molto espressivo
• Sonata No. 31 in A-flat major, Op. 110: II. Scherzo Allegro molto
• Sonata No. 31 in A-flat major, Op. 110: III. Adagio ma non troppo. Fuga Allegro ma non troppo
• Sonata No. 32 in C minor, Op. 111: I. Maestoso – Allegro con brio ed appassionato
• Sonata No. 32 in C minor, Op. 111: II. Arietta Adagio molto semplice cantabile

龙腾阁Hi-res正版专辑仅限内部会员使用，禁止转载分享。